Signed and numbered drypoint with over-painting. German artist Peter Wever's reminiscent of the Sistine Chapel.
The starting point for each work is a drypoint etching, which layouts the basic image. He then paints over the entire surface, so that each print in the edition is unique, with the colors, and even the gender of the people in the print changing from one example to the other. What doesn't change is the dynamic tension and energy of the composition. Note: as with most prints, dimensions are for the image size.