Etching, 1545.
Giulio Bonasone (Active c. 1510 – after 1576 Bologna) "The Triumph of Love", 1545. Etching, 28.1 x 41 cm. Signed in the plate at bottom right '15...
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Etching, c. 1542-45.
Monogrammist IQV Fontainebleau, active 1540-1550s after Giulio Romano (1499-1546) "Triumph of Amphitrite", c. 1540-1545 Etching, 29.5 x 46.5 cm. ...
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Etching, 1647.
De Vesme/Massar 1015-1026, first states of two before Mariette’s address Fine, uniform impressions with thread to small margins. Plate 12 with smal...
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Etching, 1593-98.
Plate 27 from Architectura von Ausztheilung Symmetria und Proportion der fünff Seulen, a set of five title-plates and 193 plates published in five...
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Etching, 17th century.
From a set of four oblong market scenes Franken & Van der Kellen 100, undescribed second state with Visscher’s address and the number 1 (F &...
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Etching, 1685.
Dutuit, Hollstein 15, third state of three with the roulette work added. The two previous states are very rare. Provenance: N. Rapp (Lugt suppl. 21...
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Etching, 16th Century.
Bartsch 78, TIB 32, second state of two. Printed on the verso, An Angel seated on a Lion and holding a Crown. Bartsch 70 Provenance: Rev. John Burl...
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Etching, 1723-29.
From a set of 20. TIB .010, fourth state with number; Succi (Da Carlevaris ai Tiepolo) 422, the inscription not a separate plate as described Prov...
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Etching, circa 1653.
The Empty Jug Etching, c. 1653 Signed in the plate lower left Condition: On fine laid paper partial armorial watermark with a small cross, with mar...
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Etching, 1610.
Grotesque with two hybrid gristly creatures facing each other; on left with a boar's snout underneath a male mask and a crab's claw holding a fish,...
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Etching, circa 1544-45.
From a set of six scenes from the Trojan War after Luca Penni. Bartsch 46; Zerner 43; Jenkins Pt II, p. 308, JM 43 Provenance: Fürst zu Fürstenberg...
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Etching, 1635.
Christ Driving the Money Changers from the Temple Etching with drypoint, 1635 Signed in the plate lower right A rich impression printed with some b...
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Etching, circa 1613-14.
ABRAHAM BLOEMAERT Gorinchem 1566 – 1651 Utrecht Engraved by Boëtius Adamsz. Bolswert (c. 1580 – 1633) "Rustic Landscape with a Wooden Bridge over...
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Etching, circa 1660.
Etching and burin, ca. 1660, 155 x 130 mm., Bartsch 45, Godefroy 45 iv/vi, Hollstein 45 v/vii, ex collection: Wm. Pelletier (Lugt on line 4193). Fi...
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Etching, 1761.
Giovanni Battista Piranesi (1720-1778). Etching and engraving, 421 x 640 mm., Hind 61 i/v, from the Vedute di Roma. A very fine impression of the...
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Etching, 1648.
Bellini 10; Percy E8; TIB (commentary) .016 S3, third state of three with the address of G.G. Rossi (1627-91) Watermark: Fleur-de-lis in double cir...
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Etching, circa 1608.
Bartsch 2; Bohlin 3, first state of three; TIB vol 39, 004, second state of four with address of Petrus Stephanonis. (It is uncertain if the first ...
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Etching, 1752.
After Jean-Baptiste-Marie Pierre (1714-89), this is a companion piece to La Peinture after François Boucher Inventaire du Fond Français 2 II ; Por...
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Etching, 1797-99.
From Los Caprichos, a series of 80 plates Harris 46, III, 1, first edition of 1799. According to Harris the first edition consisted of 300 sets. Th...
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Etching, 17th century.
Engraved by I. ROBILLART (active in the first half of the 17th C.). Le Blanc 2, Nagler 1 (both as N. Robillart); A. Moir (Caravaggio and his Copyis...
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Etching, 1664.
A set of eight. Hollstein 49-56, second state of three with the address of N. Visscher, the first publisher Fine early impressions with thread mar...
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Etching, 1659.
A set of six. Inventaire du fonds français 1663-68. First edition Fine, early impressions with a little tone at the plate edges, margins all round....
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Etching, circa 1680.
A set of ten, reverse copies of anonymous etchings originally published by N. Langlois as Jardins à la française in L’Architecture à la mode, ca. 1...
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Etching, circa 1640.
Herman van Swanewelt (Netherlands) 1603-1655 "Tobias Startled by the Fish". Etching, c. 1640. From the "Old Testament series". Hollstein 3, iii/IV....
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