Etching, 1647.
De Vesme/Massar 1015-1026, first states of two before Mariette’s address Fine, uniform impressions with thread to small margins. Plate 12 with smal...
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Engraving, ca. 1622.
After Dirck van Baburen. Hollstein 94 A very fine impression, trimmed on or just inside the platemark all round. with a filet of paper outside the...
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Engraving, 16th Century.
After Rosso Fiorintino. Robert-Dumesnil 76, third state of four, with Hondius’ address added to that of N. de Clerck (shaded over). In the fourth ...
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Engraving, 16th Century.
After Abraham Bloemaert. Hollstein 3, with Robert de Baudous’ address Provenance: Undecipherable signature in writing ink and the date 1783 A fine...
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Etching, 1593-98.
Plate 27 from Architectura von Ausztheilung Symmetria und Proportion der fünff Seulen, a set of five title-plates and 193 plates published in five...
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Etching, 17th century.
From a set of four oblong market scenes Franken & Van der Kellen 100, undescribed second state with Visscher’s address and the number 1 (F &...
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Etching, 1685.
Dutuit, Hollstein 15, third state of three with the roulette work added. The two previous states are very rare. Provenance: N. Rapp (Lugt suppl. 21...
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Engraving, 16th Century.
Nagler Monogrammisten III, 786; Hollstein, Monogrammists, 1; under Hans Collaert the Elder, 50 Provenance: Old Colnaghi stock A very good impressio...
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Engraving, 17th Century.
Hollstein 432 A very fine impression, with a thread margin at the top, small margins on three sides. The tip of the top left margin corner repaired...
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Engraving, 1595/6.
From the series of ten Masquerades, possibly engraved by Zacharias Dolendo. New Hollstein 168 Watermark: Baslerstab (Heawood 1182, c. 1583) A very ...
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Etching, 17th century.
Plate 46 from Neues Zieratenbuch den Schreinern…und Bildhauer, Part I, a set of 50 A fine impression with margins all round. Several worm-runs in t...
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Engraving, 1543.
After Francesco Salviati. The Illustrated Bartsch XV, 29, 298; Robert-Dumesnil IX, 152, 32, first state of three; S. Bianchi, Grafica d’Arte 2003-0...
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Engraving, 1541.
From a series of three plates of the antique statues in the palace of the Cardinal de Valle in Rome Bartsch 42, only state, as published by Antonio...
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Engraving, 1695.
From Ein Neues Buch von Allerhand Gold-Arbeit, a set of 17 plates engraved and published by Josef Friedrich Leopold (1668-1726) Berlin 694, Guilmar...
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Etching, 16th Century.
Bartsch 78, TIB 32, second state of two. Printed on the verso, An Angel seated on a Lion and holding a Crown. Bartsch 70 Provenance: Rev. John Burl...
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Engraving, 1518-20.
After Raphael or his studio. Bartsch XIV. 298.395; Roma e lo Stile classico di Raffaello no. 135 Watermark: Siren in a circle A fine, soft impress...
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Engraving, 1514.
Meder 50 b/d, with the light scratches above the rock at left, but before the one crossing the lance. A very fine, crisp impression with the draper...
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Etching, 1723-29.
From a set of 20. TIB .010, fourth state with number; Succi (Da Carlevaris ai Tiepolo) 422, the inscription not a separate plate as described Prov...
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Etching, circa 1653.
The Empty Jug Etching, c. 1653 Signed in the plate lower left Condition: On fine laid paper partial armorial watermark with a small cross, with mar...
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Etching, 1610.
Grotesque with two hybrid gristly creatures facing each other; on left with a boar's snout underneath a male mask and a crab's claw holding a fish,...
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Etching, 1634.
CLAUDE GELLÉE (called LE LORRAIN) Chamagne (Duchy of Lorraine) 1600 – 1682 Rome "Harbour Scene with Rising Sun", 1634 (Le Soleil levant) Etching...
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Drawing or watercolor, 17th century.
ISRAEL SILVESTRE Nancy 1621 – 1691 Paris The Slave Market (Le Marché d’Esclaves, also known as La Petite vue de Paris) Black chalk, pen and brow...
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Etching, circa 1544-45.
From a set of six scenes from the Trojan War after Luca Penni. Bartsch 46; Zerner 43; Jenkins Pt II, p. 308, JM 43 Provenance: Fürst zu Fürstenberg...
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Engraving, 1537.
Hans Sebald Beham (1500-1550). The first four engravings from the set of twelve, 1537, 49 x 35 mm., Bartsch 166-169; Pauli 155-158, ex collection: ...
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