
ALTDORFER, Albrecht
Dido
Engraving, circa 1520-30.
Albrecht Altdorfer (ca.1480-1538). Engraving, Bartsch 42, Hollstein 48, Winzinger 159 a (of c), 64 x 38 mm., ex collections: Gustav von Rath (Lug...
View full detailsEngraving, circa 1520-30.
Albrecht Altdorfer (ca.1480-1538). Engraving, Bartsch 42, Hollstein 48, Winzinger 159 a (of c), 64 x 38 mm., ex collections: Gustav von Rath (Lug...
View full detailsEngraving, 16th Century.
After Rosso Fiorintino. Robert-Dumesnil 76, third state of four, with Hondius’ address added to that of N. de Clerck (shaded over). In the fourth ...
View full detailsEtching, 17th century.
From a set of four oblong market scenes Franken & Van der Kellen 100, undescribed second state with Visscher’s address and the number 1 (F &...
View full detailsEtching, 1685.
Dutuit, Hollstein 15, third state of three with the roulette work added. The two previous states are very rare. Provenance: N. Rapp (Lugt suppl. 21...
View full detailsEngraving, 16th Century.
Nagler Monogrammisten III, 786; Hollstein, Monogrammists, 1; under Hans Collaert the Elder, 50 Provenance: Old Colnaghi stock A very good impressio...
View full detailsEngraving, 1518-20.
After Raphael or his studio. Bartsch XIV. 298.395; Roma e lo Stile classico di Raffaello no. 135 Watermark: Siren in a circle A fine, soft impress...
View full detailsEtching, circa 1544-45.
From a set of six scenes from the Trojan War after Luca Penni. Bartsch 46; Zerner 43; Jenkins Pt II, p. 308, JM 43 Provenance: Fürst zu Fürstenberg...
View full detailsWoodcut, 1497.
PLEASE NOTE: THIS PRINT IS ON HOLD FOR A COLLECTOR.PLEASE INQUIRE FOR AVAILABILITY. Agony in the Garden Woodcut, 1496-1497 Signed with the artist's...
View full detailsWoodcut, 1781-1783.
Virgin and Child sitting on left, St. Sebastian in the middle and St. John the Baptist in profile After Titian (c.1488-1576) Chiaroscuro woodcut, 1...
View full detailsDrawing or watercolor, 17th Century.
Christ Carrying the Cross to Cavalry Grey wash, ink and bistre heightened with white, c. 1660 Inscribed "Diepenbeck" lower margin of sheet Masterfu...
View full detailsEngraving, 16th century.
BARTHEL BEHAM Nuremberg c. 1502 – 1540 Italy "A Halberdier on a Horse" Engraving. 6,5 x 4,6 cm Literature: Passavant VI, 124 II; Robert-Dumesnil IX...
View full detailsEngraving, 1565.
HARMEN JANSZ. MULLER Amsterdam c. 1540 – 1617 Amsterdam after Maarten van Heemskerck (1498 – 1574) Christ as the Good Samaritan, 1565 The complete...
View full detailsDrawing or watercolor, 17th century.
Francesco Brizio (ca. 1574-1623) Original drawing in pen and brown ink on laid paper, 256 x 385 mm., laid down to a Talman-type mount. An extensive...
View full detailsEtching, 1621.
Jacques Callot (1592-1635) Complete set of 24 etchings, each, ca. 71 x 92 mm., Lieure 379-402, generally i/ii. Fine full set on thin laid paper, se...
View full detailsEtching, 1650.
Rembrandt van Rijn (1606-1669) Etching and drypoint, 1650, 208 x 162 mm., B/R/S 272 v/vii, Hind 251 v/vi, Bjorklund/Barnard 51c, Nowell-Usticke 272...
View full detailsWoodcut, 1782.
After Michelangelo. Printed in black ink on blue paper mounted on its original laid paper support sheet with drawn borderlines. LeBlanc III, 34, 14...
View full detailsMezzotint, 1771.
William Pether (ca. 1738-1822) after Joseph Wright of Derby (1734-1797) A famous large mezzotint, Chaloner Smith 49, Clayton P 8, 505 x 350 mm., ex...
View full detailsEngraving, 1561-62.
PIETER BRUEGEL THE ELDER Breda or Breugel c. 1526/30 – 1569 Brussels Engraved by Frans Huys (1522 – 1562) "Armed Three-Master with Daedalus and Ic...
View full detailsEngraving, 17th century.
HENDRICK GOUDT Den Haag 1583 – 1648 Utrecht after Adam Elsheimer (1578 – 1610) "Jupiter and Mercury in the House of Philemon and Baucis", 1612 Etc...
View full detailsEngraving, 1564-65.
Begun by Frans Huys (fl. 1550-62) and possibly completed by Cornelis Cort (ca. 1530-78), ninth in a series of ten war-ships designed by Brueghel. ...
View full detailsEtching, 1743.
Not described by LeBlanc, Nagler, or the Inventaire du Fonds français Watermark : Fleur-de-lis ( ?) in single circle Provenance : F. Heugel (Lugt 3...
View full detailsMezzotint, 17th century.
Ganz (Yale, 1994) 62, third state of three; Le Blanc 481 and Wessely 478 as John Smith A very good impression with thread margins. Minimal rubbing,...
View full detailsEngraving, 1566.
Engraving after Albert Dürer. Mauquoy-Hendrickx 54.
Mezzotint, 1684.
Of the utmost rarity. Hollstein 19, second state of two with the artist’s inscription and date A fine impression with thread margins all round. Rem...
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