Engraving, circa 1520-30.
Albrecht Altdorfer (ca.1480-1538). Engraving, Bartsch 42, Hollstein 48, Winzinger 159 a (of c), 64 x 38 mm., ex collections: Gustav von Rath (Lug...
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Engraving, 16th Century.
After Rosso Fiorintino. Robert-Dumesnil 76, third state of four, with Hondius’ address added to that of N. de Clerck (shaded over). In the fourth ...
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Etching, 17th century.
From a set of four oblong market scenes Franken & Van der Kellen 100, undescribed second state with Visscher’s address and the number 1 (F &...
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Etching, 1685.
Dutuit, Hollstein 15, third state of three with the roulette work added. The two previous states are very rare. Provenance: N. Rapp (Lugt suppl. 21...
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Engraving, 16th Century.
Nagler Monogrammisten III, 786; Hollstein, Monogrammists, 1; under Hans Collaert the Elder, 50 Provenance: Old Colnaghi stock A very good impressio...
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Engraving, 1518-20.
After Raphael or his studio. Bartsch XIV. 298.395; Roma e lo Stile classico di Raffaello no. 135 Watermark: Siren in a circle A fine, soft impress...
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Etching, circa 1544-45.
From a set of six scenes from the Trojan War after Luca Penni. Bartsch 46; Zerner 43; Jenkins Pt II, p. 308, JM 43 Provenance: Fürst zu Fürstenberg...
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Woodcut, 1497.
PLEASE NOTE: THIS PRINT IS ON HOLD FOR A COLLECTOR.PLEASE INQUIRE FOR AVAILABILITY. Agony in the Garden Woodcut, 1496-1497 Signed with the artist's...
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Woodcut, 1781-1783.
Virgin and Child sitting on left, St. Sebastian in the middle and St. John the Baptist in profile After Titian (c.1488-1576) Chiaroscuro woodcut, 1...
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Drawing or watercolor, 17th Century.
Christ Carrying the Cross to Cavalry Grey wash, ink and bistre heightened with white, c. 1660 Inscribed "Diepenbeck" lower margin of sheet Masterfu...
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Engraving, 16th century.
BARTHEL BEHAM Nuremberg c. 1502 – 1540 Italy "A Halberdier on a Horse" Engraving. 6,5 x 4,6 cm Literature: Passavant VI, 124 II; Robert-Dumesnil IX...
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Engraving, 1565.
HARMEN JANSZ. MULLER Amsterdam c. 1540 – 1617 Amsterdam after Maarten van Heemskerck (1498 – 1574) Christ as the Good Samaritan, 1565 The complete...
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Drawing or watercolor, 17th century.
Francesco Brizio (ca. 1574-1623) Original drawing in pen and brown ink on laid paper, 256 x 385 mm., laid down to a Talman-type mount. An extensive...
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Etching, 1621.
Jacques Callot (1592-1635) Complete set of 24 etchings, each, ca. 71 x 92 mm., Lieure 379-402, generally i/ii. Fine full set on thin laid paper, se...
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Etching, 1650.
Rembrandt van Rijn (1606-1669) Etching and drypoint, 1650, 208 x 162 mm., B/R/S 272 v/vii, Hind 251 v/vi, Bjorklund/Barnard 51c, Nowell-Usticke 272...
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Woodcut, 1782.
After Michelangelo. Printed in black ink on blue paper mounted on its original laid paper support sheet with drawn borderlines. LeBlanc III, 34, 14...
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Mezzotint, 1771.
William Pether (ca. 1738-1822) after Joseph Wright of Derby (1734-1797) A famous large mezzotint, Chaloner Smith 49, Clayton P 8, 505 x 350 mm., ex...
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Engraving, 1561-62.
PIETER BRUEGEL THE ELDER Breda or Breugel c. 1526/30 – 1569 Brussels Engraved by Frans Huys (1522 – 1562) "Armed Three-Master with Daedalus and Ic...
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Engraving, 17th century.
HENDRICK GOUDT Den Haag 1583 – 1648 Utrecht after Adam Elsheimer (1578 – 1610) "Jupiter and Mercury in the House of Philemon and Baucis", 1612 Etc...
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Engraving, 1564-65.
Begun by Frans Huys (fl. 1550-62) and possibly completed by Cornelis Cort (ca. 1530-78), ninth in a series of ten war-ships designed by Brueghel. ...
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Etching, 1743.
Not described by LeBlanc, Nagler, or the Inventaire du Fonds français Watermark : Fleur-de-lis ( ?) in single circle Provenance : F. Heugel (Lugt 3...
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Mezzotint, 17th century.
Ganz (Yale, 1994) 62, third state of three; Le Blanc 481 and Wessely 478 as John Smith A very good impression with thread margins. Minimal rubbing,...
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Engraving, 1566.
Engraving after Albert Dürer. Mauquoy-Hendrickx 54.
Mezzotint, 1684.
Of the utmost rarity. Hollstein 19, second state of two with the artist’s inscription and date A fine impression with thread margins all round. Rem...
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