Screenprint, 1946.
'Now, Voyager' color serigraph, 1946, edition 25. Signed in pencil in the image, lower right. Titled, dated, and annotated 25 PRINTS - 5 COLORS in ...
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Monoprint, c.2019.
"Shattered Scaffold 7" is a lively bleed monoprint made using a etched and aquatinted copper plate, overprinted roller marks, stencil and textures ...
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Monoprint, c.2019.
"Shattered Scaffold 16" is a lively bleed monoprint made using a etched and aquatinted copper plate, overprinted roller marks, stencil and textures...
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Other, 2019.
"Heirs To The Sea 21" is a lyrical aquatic monoprint made with ink and cyanotype, printed in lustrous blues on 100% cotton rag paper. Peggy Cyphers...
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Monoprint, 2019.
"Heirs To The Sea 19" is a lyrical aquatic monoprint made with ink and cyanotype, printed in lustrous blues on 100% cotton rag paper.
Etching, c.2005.
"African Elephant " is a charming and eloquent etching and aquatint print depiction of African wildlife inspired by the artist's travels in Africa....
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Etching, c.2005.
"Zebras In The Evening" is a charming and eloquent etching and aquatint print depiction of African wildlife inspired by the artist's travels in Afr...
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Monoprint, 2019.
Rubato #11 is a jewel-like painterly abstract contemporary monoprint made with multiple etching plates layered in turquoise blue and gold.. It is p...
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Monoprint, 2019.
Rubato #4 is a jewel-like painterly abstract contemporary monoprint made with multiple etching plates layered in reds, blues, purples with geometri...
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Monotype, 2016.
A painterly abstract print. "Monotype becomes the meeting of the known, the adapted and the improvisational." Andrea Belag.
Lithograph, 1898.
The first edition, 1898, the complete volume in the original couverture, set into a portfolio and slip case, with 21 original lithographs, edition ...
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Monotype, c. 2016.
An abstract painterly print. "Monotype becomes the meeting of the known, the adapted and the improvisational." Andrea Belag
Drypoint, 1983.
"Fenêtre d’Eté" (original French title) Embossed color aquatint and drypoint on wove paper, 1983. Printed to the sheet edge, as usual. Artist’s pr...
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Etching, 1899.
Etching on simili-japon paper, 1899. Edition unknown, but certainly not very large. It has become very scarce and rarely becomes available. Signed...
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Engraving, 1934.
"Grand Bison (grande planche)" (original French title) Pure-line engraving on laid Monval paper. Reference: Tonneau-Ryckelynck & Plumart 247....
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Etching, 1963.
Color aquatint and soft-ground etching on Arches wove paper. This is likely printed using the Atelier 17 method of simultaneous color printing (a.k...
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Woodcut, circa 1960.
Color woodcut on thin laid paper. Edition of 30. From a set of 6 prints titled "Lake Mountain" (Japanese title: ?? ). Signed in the image, titled, ...
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Lithograph, 1893.
"L’Illumination" (original French title) Lithograph printed in five color on tan wove paper. References: Stein & Karshan 43; Boyer & Cate ...
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Etching, 1852.
"Le Haut d’un Battant de Porte" (original Franch title) Etching on Aqua-Fortistes laid paper. Reference: Beraldi 110 iv-v/v; Bouillon viii/x. Our ...
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Linocut, 1946-47.
'... and a special fear for my loved ones', linoleum cut, 1946-47, edition 20. Signed, dated ‘46, titled, and numbered '13/25' in pencil. A superb,...
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Drypoint, 1930.
Drypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
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Lithograph, 1893.
"La Sieste" or "La Convalescence" (original French titles) Color lithograph printed on thin wove paper. References: Roger-Marx 2, Stein & Kars...
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Lithograph, circa 1940.
Lithograph on cream wove paper. Edition unknown, but certainly small. Signed in pencil. Very fine impression in pristine condition.
Screenprint, circa 1945.
Color screenprint on wove paper. Edition of 15. Titled, editioned and signed in pencil. Very fine impression with fresh colors in excellent conditi...
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