Etching, 1912.
John Wesley Cotton (Canada) 1868-1931 "Venice, The Landing". Etching and aquatint, 1912. Ed: Unknown, perhaps a few proofs. Signed with pencil, l.r...
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Photograph, 2016.
"Toward What Sun?" is a portfolio of ten photogravures, housed in a cloth- covered case with letterpress-printed title page and colophon. The title...
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Etching, 1940.
C. Winston Haberer (United States) 1905-1958 "The River Front - Louisville". Etching, 1940. Ed: Unknown but presumably small. Ref: Not in Payne. Si...
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Drawing or watercolor, 1931.
Blanche Lazzell, Amer., (1878-1956), The Red Scow, Charcoal Drawing, 1931, 12-1/8 x 13-7/8 on thin grayish wove tracing paper, the entire sheet mea...
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Drawing or watercolor, 1934.
Blanche Lazzell, Amer., (1878-1956), "The Monongahela at Morgantown”, Vine Charcoal Drawing with traces of Pencil, 1934, the finished Preparatory D...
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Linocut, 2008.
Signed, titled and numbered from the edition of 15. Designed for the homeless advocacy organization WRAP: Western Regional Advocacy Project. A cre...
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Woodcut, 1871.
Fine impression, color and condition. Published by Yamajin.
Etching, 1989.
Inga-Britta Mills, Amer., (1925-2018), Study II, Color Etching and Aquatint, 1989, Ed. 5 of 8 plus a few AP's, 11-15/16 x 15-7/8, signed, titled, ...
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Hand Colored, 2018.
"Something About The Moon 13 " is a haunting etching and aquatint print rendering of urban architectural and the moon, a potent and romantic image ...
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Hand Colored, 2018.
"Something About The Moon 6 " is a haunting etching and aquatint print rendering of urban architectural and the moon, a potent and romantic image o...
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Woodcut, 1919.
"Snow in Springtime" is a color woodcut created in 1919 by British printmaker John Edgar Platt (1886-1967). It is pencil signed, titled, and editio...
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Lithograph, 1896.
Published by The Studio 8, No 39 (15 June, 1895). Edition of 3000 Monogrammed in the stone and blind stamped "The Studio London" in margin.
Etching, 1926.
John Taylor Arms, Amer., (1887-1953), San Trovaso, Etching, 1926, F. 177, Ed. 97, 9-1/2 x 14-3/4, signed and dated by the artist in pencil, titled ...
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Etching, 1919.
Color soft ground etching and aquatint. Edition of 300. Signed in pencil and annotated "186" in margin.
Woodcut, 1925.
Very fine impression, color and condition
Screenprint, 1992.
Night View Wing I and its monochrome mate Night View Wing II are two of Yvonne Jacquette's most successful paired editions from Stewart & Stewa...
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Woodcut, 1919.
Signed Brangwyn lower right in margin, also signed Y. Urushibara at lower left in margin. Urushibara collaborated with Brangwyn in a series of woo...
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Etching, 1999.
The surreal quality of Trignac's print are in full evidence here, with the chaos of an abandoned library, with papers flying from the breeze of ope...
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Lithograph, 1941.
Minna Wright Citron (United States) 1896-1992 "Harlem River Traffic". Lithograph, 1941. Ref: LC 5, p. 109. Ed: 30. Signed and dated with pencil...
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Etching, 1859 and later.
Sir Francis Seymour Haden (1818-1910) A very fine impression of one of Haden's most elegant prints on thick laid paper with full margins and signed...
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Lithograph, 1928.
Sally Nusbaum Maissel (United States) 1895-1974 "Construction on the "El" (New York City). Lithograph, c. 1928. Ed: Unknown. Scarce. Signed with pe...
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Woodcut, 1937.
Grace Frame Taylor (United States) 1903-1995 Ed: Unknown. Scarce.Ref: Not in Bridges/WVU. Signed “Frame” and dated with pencil, l.r. Titled with pe...
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