
Hiroshige
#13 Numazu - Fuji in Clear Weather after Snow
Woodcut, 1855.
From the Upright Tokaido Series. measurements include margins. Fine impression, color and condition
Woodcut, 1855.
From the Upright Tokaido Series. measurements include margins. Fine impression, color and condition
Woodcut, 1857.
From the series, 100 Views of Edo. Fine impression, color and condition.
Woodcut, c. 1836.
From the series: Secret Meetings by Moonlight Publisher: Yamamoto Kyubei
Woodcut, 1928.
Fine impression, color and condition, dimensions include margins. Cat. No. 131. This is arguably the best design of the Southern Japan Alps Series ...
View full detailsEtching, 1963.
Color aquatint and soft-ground etching on Arches wove paper. This is likely printed using the Atelier 17 method of simultaneous color printing (a.k...
View full detailsWoodcut, 1917.
Very fine condition, published by Watanabe, ed. 27/50. Price on Request.
Other, 2014.
Shunyi's techniques are often experimental. This piece incorporates soft varnish and photopolymer. Barbara Shunyi has been a strong proponent of no...
View full detailsWoodcut, 1860.
From the series: Actors Past and Present, commonly know as Kinshodo (after the publisher of the series). Fine impression, color and condition.
Woodcut, 1889.
First state of this design, from the series: 36 Ghosts. Publisher Sasaki. fine impression, color and condition, backed.
Woodcut, 1827-30.
From the series: 108 Heroes of the Popular Suikoden, one-by-one
Etching, 1883.
"Calendrier pour 1884" (original French title) Etching and drypoint on laid paper. Reference: Bertin 397. Forth state of five, before letters.
Hand Colored, 2015.
?? (original Japanese title) Etching and aquatint with handcoloring on chine-collé. Edition of 30. Signed, dated and numbered in pencil, in Latin ...
View full detailsIntaglio, 2017.
Tachibana combines carborundum and a variety of intaglio techniques in her prints. Her works take their inspiration from nature, a meditation on th...
View full detailsIntaglio, 2015.
Signed, titled and numberd from the edition of 40. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of...
View full detailsWoodcut, 1925.
Fine impression, color and condition. Cat. No. 11, the more desirable version of this print. This state uses brilliang blues for the shadows in the...
View full detailsWoodcut, circa 1920.
"Tête de Femme à la Tresse" (descriptive French title) Woodcut printed, made to look like a China ink wash, on wove Van Gelder Zonen paper, circa ...
View full detailsMezzotint, 2019.
"Ombrelle" (original French title) Color mezzotint on wove paper. Edition of 60. Signed, titled and numbered in pencil.
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