Drypoint, 1935.
"Cadaver" is a drypoint created in 1935 by American printmaker, Mauricio Lasansky (1914-2012). It is pencil signed and dated and was printed by the...
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Etching, 1905.
Etching and drypoint from the suite "Souvenir de Paris Hier". Signed in plate.
Drypoint, 1949.
Mortimer Borne, Amer., (1892-1985), Brooklyn Heights, Fulton St. El with Beecher Monument, Drypoint, 1949, Ed. 39, not in B., 6 x 7-1/2, on cream w...
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Etching, 1905.
David Young Cameron (1865-1945) Etching and drypoint,1905, Rinder368 ii/ii, 218 x 163 mm. A fine impression with plate tone and burr on laid pape...
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Intaglio, 1859.
"Longshoremen" is an etching and drypoint from 1859 by James Abbott McNeill Whistler (1834-1903). A rare impression of the third state of four, ann...
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Drypoint, 1939.
Initialed in the plate, lower left. Signed in pencil. This is a superb, luminous impression with full margins. The printed surface is pristine. The...
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Drypoint, circa 1920s.
Walter Tittle (1883-1966), 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with ...
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Etching, 1935.
Jacques Villon (1875-1964) Etching and etching and drypoint (2 states) and Preliminary Drawing in pencil, pen and black ink, 1935, Ginestet et Poui...
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Drypoint, 1931.
Martin Lewis, 'Rainy Day, Queens', drypoint, 1931, edition 70 (including 6 trial proofs). Signed in pencil. Signed in the plate, lower right. A sup...
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Etching, 1859 and later.
Sir Francis Seymour Haden (1818-1910) A very fine impression of one of Haden's most elegant prints on thick laid paper with full margins and signed...
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Etching, 1859.
James Abbott McNeill Whistler (1834-1903) Etching and drypoint from 16 Etchings of the Thames, 150 x 226 mm., Kennedy 44 iii/iii, MacDonald 53 iv-v...
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Hand Colored, circa 2006.
Signed and numbered drypoint with over-painting, from the edition of 100. Two men involved in an intimate conversation over a dinner table. Peter W...
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Drypoint, 1927.
Edition: 75. Drypoint and sand ground. McCarron #64. Pencil signed lower right Martin Lewis. This print has full margins and is in mint condition. ...
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Other, 1876.
Félix-Hilaire Buhot (1847-1898) Etching, drypoint, roulette and stop-out, Boucard/Goodfriend 123 xi/xv, 236 x 318 mm. Superb impression of the rare...
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Etching, 1920.
Dorothy Stevens (Canada) 188-1966 "Canadian Construction". Etching and drypoint, c. 1920. Ed: 75 or fewer. Signed with pencil, l.r. ...
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Etching, 1882.
Otto H. Bacher (1856-1909) A fine impression on thin, brownish laid paper (plate size 330 x 225 mm.) with small but probably full margins, signed i...
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Drypoint, 1931.
Edition 42, McCarron #93. Fine Impression, Full Margins.
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Drypoint, 1930.
Drypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
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Etching, 1884.
Signed and dated in the plate. Signed in pencil "F.B." and also with the artist's red owl stamp. (Lugt 977) This superb, luminous impression is als...
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Etching, 1878.
Etching, aquatint, drypoint and roulette with burnishing. Bourcard/Goodfriend 129, vi/VI. Signed with the artist’s red owl stamp (Lugt 977).
Etching, 1922.
Etching and drypoint printed on blue/green paper. Edition of 100. Traces of tape on verso. Signed in pencil in margin.
Drypoint, 1932.
Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, pl...
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Etching, 1923.
Signed, dated and annotated "New York" in plate. Signed and annotated "épreuve d'artiste" in pencil in margin.
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Etching, 1878.
Edition about 100. Signed and dated in plate.
