Lithograph, circa 1930.
Signed, titled and numbered in pencil. This is a fine impression of this uncommon print. The margins are wide and there's a watermark showing, MADE...
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Etching, circa 1915.
Sears Gallagher (1869-1955), Untitled (East River and Brooklyn Bridge), etching, circa 1915. Signed in pencil, and with the artist’s monogram in th...
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Linocut, 2020.
Linocut printed on white wove paper. Edition of 20. Signed, titled, dated & numbered in pencil.
Etching, 2011.
Etching and aquatint printed on Hahnemühle Copperplate Bright White wove paper. Edition of 120, published by the Madison Print Club. There were a f...
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Drypoint, 1935.
"Cadaver" is a drypoint created in 1935 by American printmaker, Mauricio Lasansky (1914-2012). It is pencil signed and dated and was printed by the...
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Etching, 1928.
Signed in the plate, lower right. Signed in pencil. This is a superb impression printed on white laid paper with full margins. The condition is exc...
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Lithograph, circa 1894.
Signed in blue pencil in the lower right. Just below the image at right this impression bears the remarque of the portrait of a man. This is a supe...
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Etching, 1989.
Inga-Britta Mills, Amer., (1925-2018), Study II, Color Etching and Aquatint, 1989, Ed. 5 of 8 plus a few AP's, 11-15/16 x 15-7/8, signed, titled, ...
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Etching, circa 1939.
Cornelius W. Van Ness, Amer., (1894-1952) Welfare Island, Etching, ca. 1939, Ed. unknown, but likely small, 7 x 10-15/16, old tape residue to top ...
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Etching, 1926.
John Taylor Arms, Amer., (1887-1953), San Trovaso, Etching, 1926, F. 177, Ed. 97, 9-1/2 x 14-3/4, signed and dated by the artist in pencil, titled ...
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Etching, 1913.
Ernest D. Roth, Amer., (1879-1964), Venice from the Redentore, Etching, 1913, Ed. possibly 75, 7-15/16 x 10-15/16, signed & dated in pencil; ti...
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Woodcut, 1919.
"Snow in Springtime" is a color woodcut created in 1919 by British printmaker John Edgar Platt (1886-1967). It is pencil signed, titled, and editio...
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Drawing or watercolor, 1934.
Blanche Lazzell, Amer., (1878-1956), "The Monongahela at Morgantown”, Vine Charcoal Drawing with traces of Pencil, 1934, the finished Preparatory D...
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Drawing or watercolor, 1931.
Blanche Lazzell, Amer., (1878-1956), The Red Scow, Charcoal Drawing, 1931, 12-1/8 x 13-7/8 on thin grayish wove tracing paper, the entire sheet mea...
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Mezzotint, 2014.
Mezzotint on Hahnemühle wove paper.Edition of 20. Signed, titled, dated, and numbered in pencil.
Woodcut, 1925.
Very fine impression, color and condition
Etching, 1931.
John Taylor Arms, Amer., (1887-1953), Venetian Filligree, Etching, 1931, F. 235, Ed. 154, 10-3/4 x 11, signed and numbered Ed. 100 in pencil, slig...
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Etching, 1999.
The surreal quality of Trignac's print are in full evidence here, with the chaos of an abandoned library, with papers flying from the breeze of ope...
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Screenprint, 1938.
Signed in the image, lower right. Signed, dated, titled and numbered in pencil. This is a fine impression of this uncommon print. The margins appea...
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Etching, 2009.
Signed, numbered from edition of XXV with full margins. Erik Desmazières is considered one of the greatest contemporary printmakers, and has had ...
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Lithograph, 1897.
Color lithograph on chine-collé on thick wove paper. Ref: Bibliothèque Nationale - Inventaire du Fonds Français 30. Total edition of 60, of which 2...
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Lithograph, circa 1946-56.
August Mosca (1909-2002), 'Elevated Structure', lithograph, c. 1946-56, edition 50. Signed, titled, and numbered '28/50' in pencil. A fine, richly-...
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Lithograph, 1936.
Louis Lozowick (1892-1973), 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936, Flint 135. Signed and dated in pencil. Signed in...
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