Drawing or watercolor, 1948.
Gertrude Barrer, Amer., (1921-1997), Untitled Abstraction, Colored Ink Drawing, 1948, 10-13/16 x 14-1/16, signed and dated in ink, a darkening to t...
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Lithograph, 1955.
Stow Wengenroth, Amer., (1904-1978), Hurricane, Lithograph, 1955, S. 229,Ed.55, 11-3/4 x 17-1/4, signed, titled & numbered in pencil, on warm ...
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Drawing or watercolor, 1950.
Gertrude Barrer, Amer., (1921-1997), Two Mythic Figures, Tempera, Ink and Varnish, 1950, 8-7/8 x 11-3/4, signed and dated in ink, on cream colored ...
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Sold
Etching, 2004.
Marvin Bileck, Amer., (1920-2005), Can You Hear The Rumble, Softground Etching and Engraving, 2004, Ed. at least 40 in 7 states, 8 x 10, annotated ...
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Etching, 2000.
Adrianne Wortzel creates unique and innovative work exploring historical and cultural perspectives. Corinthian Capital 2 is a large dramatic media...
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Lithograph, 1940.
Stow Wengenroth, Amer., (1904-1978), The Abandoned Light, Lithograph, 1940, S.102, Ed. 132 for Munson Gallery Print Club, 8-7/16 x 12-3/4, signed &...
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Drypoint, 1949.
Mortimer Borne, Amer., (1892-1985), Brooklyn Heights, Fulton St. El with Beecher Monument, Drypoint, 1949, Ed. 39, not in B., 6 x 7-1/2, on cream w...
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Etching, 2000.
Adrianne Wortzel creates unique and innovative work exploring historical and cultural perspectives. Corinthian Capital 1 is a large dramatic medit...
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Etching, 1989.
Inga-Britta Mills, Amer., (1925-2018), Study II, Color Etching and Aquatint, 1989, Ed. 5 of 8 plus a few AP's, 11-15/16 x 15-7/8, signed, titled, ...
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Etching, 1986.
Inga-Britta Mills, Amer., (1925-2018), Carnevale. Color Etching and Aquatint, 1986, Ed. 8 of 8 plus a few AP's, 12 x 10, signed, titled dated and ...
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Etching, circa 1939.
Cornelius W. Van Ness, Amer., (1894-1952) Welfare Island, Etching, ca. 1939, Ed. unknown, but likely small, 7 x 10-15/16, old tape residue to top ...
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Monotype, circa 1940.
Sperry Andrews, Amer., (1917 - 2005), "Church" Steeple in a Shaft of Light, Color Monotype, ca.1940, 9 x 12, signed with initials in image lower ri...
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Aquatint, 2011.
An etching that blends abstraction, botanical and decorative forms to describe the natural world.
Etching, 1926.
John Taylor Arms, Amer., (1887-1953), San Trovaso, Etching, 1926, F. 177, Ed. 97, 9-1/2 x 14-3/4, signed and dated by the artist in pencil, titled ...
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Etching, 1913.
Ernest D. Roth, Amer., (1879-1964), Venice from the Redentore, Etching, 1913, Ed. possibly 75, 7-15/16 x 10-15/16, signed & dated in pencil; ti...
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Lithograph, 1982.
"Triad X" is a lithograph, created in 1982 by American artist Clinton Adams (1918-2002). It is pencil signed and editioned 12/16. Published by Tama...
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Intaglio, 1952.
"The Death of the Niobids II" is a lift-ground etching and engraving created in 1952 by American printmaker Salvatore Grippi (1921-2017). It is pen...
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Woodcut, 1927.
"Taos Indian," also called "Fat John," is a woodcut created in 1927 by American artist Howard Cook (1901-1980). It is pencil signed, titled, and an...
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Drawing or watercolor, 1919.
Blanche Lazzell, Amer., (1878-1956), "West Virginia Hills", Charcoal Drawing, ca. 1919, 10-1/4 x 8-3/8, the preliminary study drawing for the early...
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Linocut, 1980's.
M. G. Martin, Amer., (1931-2013) Double Headed Figure, Linocut, ca. 1980's, Ed. unknown, at least 4 proofs in various states, 23-7/8 x 18, on thin ...
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Linocut, 1994.
M. G. Martin, Amer., (1931-2013), R.K.P. Series Number Four, Color Linocut, 1994, Ed. 9, number 5/ 9 is currently available, imp. shown is 7/9, 18 ...
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Drawing or watercolor, 1931.
Blanche Lazzell, Amer., (1878-1956), The Red Scow, Charcoal Drawing, 1931, 12-1/8 x 13-7/8 on thin grayish wove tracing paper, the entire sheet mea...
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Etching, 1957.
MIsch Kohn, (1916-2002), Lion, Sugar Lift Ground Aquatint and Engraving, 1957, Ed. 30, H. 197, 17-3/4 x 29-5/8, signed, titled and numbered 30 imp...
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Linocut, 1962.
M. G. Martin, Amer., (1931-2013), Untitled, Color Linocut, 1962, Ed. 5/8, , 18 x 12, on thin cream wove japan paper 13-1/2 x 25-1/2 with typical s...
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