Engraving, circa 1520-30.
Albrecht Altdorfer (ca.1480-1538). Engraving, Bartsch 42, Hollstein 48, Winzinger 159 a (of c), 64 x 38 mm., ex collections: Gustav von Rath (Lug...
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Engraving, circa 1540.
Giulio Bonasone (ca.1510-ca. 1576). Engraving, 200 x 270 mm., Bartsch 81 only state. A very good and clear impression, lacking the intense black...
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Woodcut, no date.
Toyohara KUNICHIKA (Japanese, 1835–1900) The Actor Ichikawa Sadanji I as Akiyama Kii No Kami Amidst Flames From New Plays of the Mieji-za Color wo...
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Etching, 1996.
Printed from one plate inked in five very separated colors in each section, this print depicts the propellors from WW II era planes. Mr. Gipe has l...
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Photograph, 2017.
In 2015, Denver University professor and artist, Sarah Gjertson, embarked on a project to document abandoned mining sites around Colorado. As her r...
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Etching, 1545.
Giulio Bonasone (Active c. 1510 – after 1576 Bologna) "The Triumph of Love", 1545. Etching, 28.1 x 41 cm. Signed in the plate at bottom right '15...
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Etching, c. 1542-45.
Monogrammist IQV Fontainebleau, active 1540-1550s after Giulio Romano (1499-1546) "Triumph of Amphitrite", c. 1540-1545 Etching, 29.5 x 46.5 cm. ...
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Mezzotint, 1713.
John Smith (British) 1655-1743 "Sir Christopher Wren". Mezzotint, 1713, after a painting (1711) by Godfrey Kneller (1646-1723). Ed: Uncommon. With ...
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Lithograph, 1944.
Lithograph on wove paper. Reference: Rose & Quiroz 68. Edition of 30. Signed, dated, and titled in pencil. Very fine impression in pristine con...
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Drypoint, 1935.
"Cadaver" is a drypoint created in 1935 by American printmaker, Mauricio Lasansky (1914-2012). It is pencil signed and dated and was printed by the...
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Etching, 1949.
The Atom etching & aquatint, 1949 Signed and titled in pencil Provenance: Wilkes University, Wilkes Barre, PA de-accessed, 2017 Note: An ...
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Etching, 1913.
Announcement for the "Imprimerie Eugène Delâtre" in Montmartre, Paris. Etching printed on laid paper.
Etching, 1905.
Etching and drypoint from the suite "Souvenir de Paris Hier". Signed in plate.
Drypoint, 1949.
Mortimer Borne, Amer., (1892-1985), Brooklyn Heights, Fulton St. El with Beecher Monument, Drypoint, 1949, Ed. 39, not in B., 6 x 7-1/2, on cream w...
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Etching, 2000.
Adrianne Wortzel creates unique and innovative work exploring historical and cultural perspectives. Corinthian Capital 1 is a large dramatic medit...
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Etching, 2000.
Adrianne Wortzel creates unique and innovative work exploring historical and cultural perspectives. Corinthian Capital 2 is a large dramatic media...
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Etching, 2000.
Adrianne Wortzel creates unique and innovative work exploring historical and cultural perspectives. Corinthian Capital 3 is a large dramatic medita...
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Etching, circa 1892.
J. Alden Weir, Amer., (1852-1919), Washington Arch No. 2, Etching with Aquatint, ca.1892, Z.75, N. 79, 7 x 4-5/8, on thin grayish laid paper, a pro...
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Etching, circa 1939.
Cornelius W. Van Ness, Amer., (1894-1952) Welfare Island, Etching, ca. 1939, Ed. unknown, but likely small, 7 x 10-15/16, old tape residue to top ...
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Woodcut, circa 1920.
"My Dress" is a mixed technique print, an aquatint and drypoint with hand-applied color via woodcut, by British printmaker Elyse Ashe Lord (1885-19...
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Etching, 2001.
This print was an hommage to the architect Louis Sullivan, done after a trip to Chicago. While keeping the fantastical garden scenery, the image if...
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Etching, 1913.
Ernest D. Roth, Amer., (1879-1964), Venice from the Redentore, Etching, 1913, Ed. possibly 75, 7-15/16 x 10-15/16, signed & dated in pencil; ti...
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Etching, 1905.
David Young Cameron (1865-1945) Etching and drypoint,1905, Rinder368 ii/ii, 218 x 163 mm. A fine impression with plate tone and burr on laid pape...
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