Engraving, 1518-20.
After Raphael or his studio. Bartsch XIV. 298.395; Roma e lo Stile classico di Raffaello no. 135 Watermark: Siren in a circle A fine, soft impress...
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Etching, 2006.
"Sul Piave" (original Italian title) Etching and drypoint on wove paper. Edition of 40. Signed, titled, dated and numbered in pencil.
Drawing or watercolor, 17th century.
Francesco Brizio (ca. 1574-1623) Original drawing in pen and brown ink on laid paper, 256 x 385 mm., laid down to a Talman-type mount. An extensive...
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Etching, 17th century.
From The Four Elements. The Illustrated Bartsch 18 (188) A fine impression with many polish-marks showing, trimmed on the borderline all round. Sli...
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Etching, 2003.
"Nel Giardino di Chartrettes" (original Italian title) Etching and drypoint on chine-collé. Edition of 80. Signed, titled and numbered in pencil.
Etching, 1723-29.
From a set of 20. TIB .010, fourth state with number; Succi (Da Carlevaris ai Tiepolo) 422, the inscription not a separate plate as described Prov...
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Etching, Before 1729.
From a set of twenty published by Carlo Orsolini in 1730. Bartsch 19; Succi (Da Carlevaris ai Tiepolo) 431, second state of two with the plate numb...
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Etching, circa 1648.
Stefano Della Bella (1610-1664) A large and complex etching, De Vesme/Massar 73 iii/viii, 335 x 476 mm. A very fine, sharp and early impression, be...
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Etching, 16th Century.
Bartsch 78, TIB 32, second state of two. Printed on the verso, An Angel seated on a Lion and holding a Crown. Bartsch 70 Provenance: Rev. John Burl...
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Etching, circa 1630-40.
BERNARDINO CAPITELLI Siena 1589 – 1640 Siena After Rutilio Manetti (1571 – 1639) "Lot and his Daughters", c. 1630-1640 Etching. 18.9 x 23.4 cm ...
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Etching, circa 1647-51.
CASTIGLIONE GIOVANNI BENEDETTO (Genova 1616 – 1670 Mantua) “Madonna and Child Surrounded by Angels and God”, c. 1647-’51 Etching. 21.8 x 40.5 cm...
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Engraving, circa 1589.
After Jacopo Tintoretto. The Illustrated Bartsch (Commentary) 155, first state, Bohlin 149, first state of three, before alterations in the plate m...
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Etching, 1647.
De Vesme/Massar 1015-1026, first states of two before Mariette’s address Fine, uniform impressions with thread to small margins. Plate 12 with smal...
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Engraving, 1543-48.
NICOLÒ DELLA CASA (French, active in Rome c. 1543-48) After Baccio Bandinelli (1493 – 1560) "Self-portrait of Baccio Bandinelli" Engra...
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Mezzotint, circa 1789.
Three prints from Ritratti de’ Pittori esistenti nella Reale Galleria di Firenze…, published from 1789 Mezzotints, two printed in colours from four...
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Woodcut, ca. 1721.
After Parmigianino. Chiaroscuro woodcut in rose, grey-green and dark brown, mounted on Zanetti’s original laid paper support sheet with wash and gi...
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Etching, 1757.
Substructure of the Temple of Claudius at the Church of SS. Giovanni E. Paolo (Formerly called the Curia Hostilia) ...
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Etching, ca. 1550-70.
After the left half of the fresco by Giulio Romano and Raphael’s workshop, after cartoons by Raphael, in the Sala di Constantino at the Vatican Etc...
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Engraving, 1543.
After Francesco Salviati. The Illustrated Bartsch XV, 29, 298; Robert-Dumesnil IX, 152, 32, first state of three; S. Bianchi, Grafica d’Arte 2003-0...
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Etching, 1648.
Bellini 10; Percy E8; TIB (commentary) .016 S3, third state of three with the address of G.G. Rossi (1627-91) Watermark: Fleur-de-lis in double cir...
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Etching, before 1753.
From The Flight into Egypt, a set of 24 plus title-plate, published in 1753 Rizzi 88, second state with the number A fine, rich impression, with oc...
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Etching, circa 1640.
Guilio Carprioni (Lombardy) 1613-1679 "The Holy Family with the Virgin Reading a Book". Etching, c. 1640. Bartsch 5, ii/II; Calabri 3, iii/III. Un...
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Engraving, 1582.
The Madonna Protecting Two Members of a Confraternity Engraving, 1582 after a lost painting by Paolo Veronese (1528-1588) Published by Orazio Berte...
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Etching, 18th century.
Bromberg 24, second state of three, still with the signature A fine, bright impression with small margins all round. A minor repair in the lower le...
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