Engraving, circa 1520-30.
Albrecht Altdorfer (ca.1480-1538). Engraving, Bartsch 42, Hollstein 48, Winzinger 159 a (of c), 64 x 38 mm., ex collections: Gustav von Rath (Lug...
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Woodcut, circa 1921.
Siegfried Schott, 'Theater', German Expressionist woodcut, with original hand-coloring in watercolor, circa 1921, edition 200. Published in 'Kundu...
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Woodcut, 1920.
Campendonk, Heinrich. DER HIRT MIT DER GROSSEN ZIEGE (THE SHEPHERD WITH THE LARGE GOAT). WV47(b). Woodcut printed in colors, 1920. 12 5/8 x 9 7/8 i...
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Etching, 1593-98.
Plate 27 from Architectura von Ausztheilung Symmetria und Proportion der fünff Seulen, a set of five title-plates and 193 plates published in five...
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Engraving, 1695.
From Ein Neues Buch von Allerhand Gold-Arbeit, a set of 17 plates engraved and published by Josef Friedrich Leopold (1668-1726) Berlin 694, Guilmar...
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Engraving, 1514.
Meder 50 b/d, with the light scratches above the rock at left, but before the one crossing the lance. A very fine, crisp impression with the draper...
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Etching, 1610.
Grotesque with two hybrid gristly creatures facing each other; on left with a boar's snout underneath a male mask and a crab's claw holding a fish,...
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Other, 2019.
This is a suite of four photogravures by Brooklyn based German photographer Eva Mueller. Each of the 4 sheets measures 30 x 22 inches with the imag...
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Engraving, 1537.
Hans Sebald Beham (1500-1550). The first four engravings from the set of twelve, 1537, 49 x 35 mm., Bartsch 166-169; Pauli 155-158, ex collection: ...
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Woodcut, 1497.
PLEASE NOTE: THIS PRINT IS ON HOLD FOR A COLLECTOR.PLEASE INQUIRE FOR AVAILABILITY. Agony in the Garden Woodcut, 1496-1497 Signed with the artist's...
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Woodcut, 2006.
This impression is numbered in Roman numerals #VI/X suggesting it is outside the primary edition of 30 (Artist Proof or Publisher's Proof?). It is ...
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Monotype, 2009.
"I had never made monotypes before working with master printer James Stroud at Center Street Studio. I wanted to find a way of working that stayed ...
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Monotype, 2009.
"I had never made monotypes before working with master printer James Stroud at Center Street Studio. I wanted to find a way of working that stayed ...
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Monotype, 2013.
"I had never made monotypes before working with master printer James Stroud at Center Street Studio. I wanted to find a way of working that stayed ...
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Monotype, 2013.
"I had never made monotypes before working with master printer James Stroud at Center Street Studio. I wanted to find a way of working that stayed ...
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Monotype, 2015.
"I had never made monotypes before working with master printer James Stroud at Center Street Studio. I wanted to find a way of working that stayed ...
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Engraving, circa 1480.
A very fine, rich and clear impression of this image, from Schongauer's set of The Apostles, 90 x 50 mm., on thin laid paper without watermark (TIB...
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Engraving, 16th century.
BARTHEL BEHAM Nuremberg c. 1502 – 1540 Italy "A Halberdier on a Horse" Engraving. 6,5 x 4,6 cm Literature: Passavant VI, 124 II; Robert-Dumesnil...
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Engraving, circa 1534-1535.
Georg Pencz (ca. 1500-1550) Engravings, each circa. 48 x 57 mm., Bartsch 30-54, including 33a; Landau 31-54 + 55 and 56, only states, ex collection...
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Woodcut, ca. 1504-05.
Meder 225 a-b; Schoch, Mende, Scherbaum 138, with three tiny breaks in the bottom borderline but before the break in the mountains and the upper bo...
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Hand Colored, circa 2010.
Signed and numbered drypoint with over-painting. German artist Peter Wever's reminiscent of the Sistine Chapel. The starting point for each work i...
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Etching, 1922.
A fine example of a very rare etching and drypoint by German Expressionist Max Beckmann, an edition of 50. Titled lower left corner in pencil: Schl...
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Woodcut, ca. 1515-16.
Hollstein 125; Yale (1981) cat. no. 52 Watermark: Double-headed eagle with pendant letters GV A fine impression still with good relief, trimmed jus...
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Woodcut, 1518.
Wolf Traut (ca. 1478-1520) A generally fine and sharp impression, slightly dry along the left edge, on early laid paper with an indecipherable wate...
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