Woodcut, Oct. 1931.
M C. ESCHER (Dutch, 1898–1972) Flying Witch and Claw Illustrations, Initial H From Scholastica, pages 11 and 12 Woodcut. 1933. Date of Impression ...
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Lithograph, 1919.
Signed and numbered "7" in pencil. Here we have a fine impression with full margins. The condition is excellent. This rare print is the only abstra...
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Engraving, 16th Century.
After Abraham Bloemaert. Hollstein 3, with Robert de Baudous’ address Provenance: Undecipherable signature in writing ink and the date 1783 A fine...
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Engraving, ca. 1622.
After Dirck van Baburen. Hollstein 94 A very fine impression, trimmed on or just inside the platemark all round. with a filet of paper outside the...
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Engraving, 17th Century.
Hollstein 432 A very fine impression, with a thread margin at the top, small margins on three sides. The tip of the top left margin corner repaired...
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Etching, 1685.
Dutuit, Hollstein 15, third state of three with the roulette work added. The two previous states are very rare. Provenance: N. Rapp (Lugt suppl. 21...
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Etching, 17th century.
From a set of four oblong market scenes Franken & Van der Kellen 100, undescribed second state with Visscher’s address and the number 1 (F &...
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Engraving, 1595/6.
From the series of ten Masquerades, possibly engraved by Zacharias Dolendo. New Hollstein 168 Watermark: Baslerstab (Heawood 1182, c. 1583) A very ...
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Etching, circa 1653.
The Empty Jug Etching, c. 1653 Signed in the plate lower left Condition: On fine laid paper partial armorial watermark with a small cross, with mar...
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Woodcut, circa 1920.
"Damhert" (original Dutch title) Woodcut on wove paper, mounted in the top corner onto another sheet. Edition unknown, but likely small. This cou...
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Etching, 1635.
Christ Driving the Money Changers from the Temple Etching with drypoint, 1635 Signed in the plate lower right A rich impression printed with some b...
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Woodcut, 2017.
Color reduction woodcut printed on wove paper. Edition of 24 artist's proofs. Signed, titled and annotated in pencil.
Etching, circa 1613-14.
ABRAHAM BLOEMAERT Gorinchem 1566 – 1651 Utrecht Engraved by Boëtius Adamsz. Bolswert (c. 1580 – 1633) "Rustic Landscape with a Wooden Bridge over...
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Etching, circa 1660.
Etching and burin, ca. 1660, 155 x 130 mm., Bartsch 45, Godefroy 45 iv/vi, Hollstein 45 v/vii, ex collection: Wm. Pelletier (Lugt on line 4193). Fi...
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Drawing or watercolor, 17th Century.
Christ Carrying the Cross to Cavalry Grey wash, ink and bistre heightened with white, c. 1660 Inscribed "Diepenbeck" lower margin of sheet Masterfu...
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Etching, 1664.
A set of eight. Hollstein 49-56, second state of three with the address of N. Visscher, the first publisher Fine early impressions with thread mar...
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Engraving, 1600.
JOHANNES WIERIX Antwerp 1549 – c. 1620 Brussels “Examples of Love and Lust, Personified by Venus” Complete series of four plates, 1600 Signed and...
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Engraving, circa 1580.
CRISPIJN DE PASSE I Arnemuiden 1564 – 1637 Utrecht After Maarten de Vos (1532 – 1603) "The Seven Acts of Mercy and The Last Judgment" The comple...
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Etching, 1650.
Anthonie Waterloo (Netherlands) 1610-1690 "The Village on the Hill" (Die ortschaft auf dem Hugel) Etching, 1650. Uncommon. Bartsch 92; Hollstein 92...
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Etching, circa 1640.
Herman van Swanewelt (Netherlands) 1603-1655 "Tobias Startled by the Fish". Etching, c. 1640. From the "Old Testament series". Hollstein 3, iii/IV....
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Woodcut, 1520-30.
JACOB CORNELISZ. VAN OOSTSANEN Oostsanen c. 1460/65 – 1533 Amsterdam "Christ Appearing to His Mother" From The Little Passion, c. 1520 – 30 Woo...
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Engraving, 1596.
Jan Saenredam (Zaandam c. 1565/66 – 1607 Assendelft) After Hendrick Goltzius (1558 – 1617) “The Cult of Venus” From "The Cults of Ceres, Venus and...
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Engraving, 1626.
After M. van Miereveld. Hollstein 13, second state of two, with the inscription. (Although Drugulin recorded a state before letters, Hollstein had ...
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Lithograph, 1929.
Initialed and dated on the stone, lower left. Signed and titled in pencil. This is a superb impression printed on chine applique. The margins are f...
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