
BOYVIN, René
A Frieze with the Triumph of Bacchus
Engraving, 16th Century.
After Rosso Fiorintino. Robert-Dumesnil 76, third state of four, with Hondius’ address added to that of N. de Clerck (shaded over). In the fourth ...
View full detailsEngraving, 16th Century.
After Rosso Fiorintino. Robert-Dumesnil 76, third state of four, with Hondius’ address added to that of N. de Clerck (shaded over). In the fourth ...
View full detailsEngraving, 16th Century.
Nagler Monogrammisten III, 786; Hollstein, Monogrammists, 1; under Hans Collaert the Elder, 50 Provenance: Old Colnaghi stock A very good impressio...
View full detailsEtching, 1685.
Dutuit, Hollstein 15, third state of three with the roulette work added. The two previous states are very rare. Provenance: N. Rapp (Lugt suppl. 21...
View full detailsEtching, 17th century.
From a set of four oblong market scenes Franken & Van der Kellen 100, undescribed second state with Visscher’s address and the number 1 (F &...
View full detailsEngraving, 1518-20.
After Raphael or his studio. Bartsch XIV. 298.395; Roma e lo Stile classico di Raffaello no. 135 Watermark: Siren in a circle A fine, soft impress...
View full detailsEtching, circa 1544-45.
From a set of six scenes from the Trojan War after Luca Penni. Bartsch 46; Zerner 43; Jenkins Pt II, p. 308, JM 43 Provenance: Fürst zu Fürstenberg...
View full detailsWoodcut, 1782.
After Michelangelo. Printed in black ink on blue paper mounted on its original laid paper support sheet with drawn borderlines. LeBlanc III, 34, 14...
View full detailsEngraving, 1564-65.
Begun by Frans Huys (fl. 1550-62) and possibly completed by Cornelis Cort (ca. 1530-78), ninth in a series of ten war-ships designed by Brueghel. ...
View full detailsEtching, 1743.
Not described by LeBlanc, Nagler, or the Inventaire du Fonds français Watermark : Fleur-de-lis ( ?) in single circle Provenance : F. Heugel (Lugt 3...
View full detailsMezzotint, 17th century.
Ganz (Yale, 1994) 62, third state of three; Le Blanc 481 and Wessely 478 as John Smith A very good impression with thread margins. Minimal rubbing,...
View full detailsMezzotint, 1684.
Of the utmost rarity. Hollstein 19, second state of two with the artist’s inscription and date A fine impression with thread margins all round. Rem...
View full detailsEtching, 17th century.
Hollstein 6, first state of three before letters and attribution to Rubens Provenance: E. Fabricius (Lugt suppl. 847a, also 919 bis); Berlin Kupfer...
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